Selected writings and interviews / Maryanne Amacher ; edited by Amy Cimini and Bill Dietz

By: Amacher, Maryanne [autor]Contributor(s): Cimini, Amy [editor científic] | Dietz, William C [editor científic]Material type: TextTextPublisher: Brooklyn, NY : Blank Forms editions, [2020]Description: 398 pàgines ; 24 cmContent type: text Media type: sense mediació Carrier type: volumISBN: 9781953691002Subject(s): Amacher, Maryanne -- Reculls d'escrits | Compositors -- 1970-Summary: The life and work of Maryanne Amacher are as vast as they are little known. In this volume, Amy Cimini and Bill Dietz offer a heterodox and idiosyncratic selection of largely unpublished documents spanning the breadth of the papers included in the Amacher Collection. The chronologically grouped documents, ranging from private writings and letters to program notes, manifestos, and proposals for unrealized projects, are framed by interviews in which Amacher discusses corresponding periods of her life. This structure leads readers carefully into the composer’s musical thought as it develops and transforms over time, while working strenuously against the definitiveness associated with “collected” writings. This study of a still-unfolding body of work approaches its materials as provisional, promissory and open-ended. Here, Cimini and Dietz have compiled a volume full of staggeringly rich primary documents, while probing the issue of what it means to assemble these materials while the question “who was Maryanne Amacher?” remains so open. This collection invites the reader to answer
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Item type Current library Call number Status Date due Barcode
Monografia Catàleg Biblioteca del Museu de la Música
28-7 (Ama) Ama (Browse shelf(Opens below)) Not For Loan 4854

Índex

The life and work of Maryanne Amacher are as vast as they are little known. In this volume, Amy Cimini and Bill Dietz offer a heterodox and idiosyncratic selection of largely unpublished documents spanning the breadth of the papers included in the Amacher Collection. The chronologically grouped documents, ranging from private writings and letters to program notes, manifestos, and proposals for unrealized projects, are framed by interviews in which Amacher discusses corresponding periods of her life. This structure leads readers carefully into the composer’s musical thought as it develops and transforms over time, while working strenuously against the definitiveness associated with “collected” writings. This study of a still-unfolding body of work approaches its materials as provisional, promissory and open-ended. Here, Cimini and Dietz have compiled a volume full of staggeringly rich primary documents, while probing the issue of what it means to assemble these materials while the question “who was Maryanne Amacher?” remains so open. This collection invites the reader to answer

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