- Ajuntament de Barcelona
- Institut de Cultura de Barcelona
The Second sound : conversations on gender & music / Julia Eckhardt & Leen De Graeve
Material type:
TextPublisher: Brussels : umland, 2017Description: 161 pàgines : il·lustracions ; 21 cmContent type: text Media type: sense mediació Carrier type: volumISBN: 9789082649512Subject(s): Música | Identitat sexual | Sexisme en la música | Discriminació sexual | Homosexualitat | Feminisme i música | Sexisme en la música | Discriminació sexual
Contents:
Summary: "The Second Sound is an imaginary conversation between musicians and sound artists on the role of gender and sex within their field. It gathers testimonies from a variety of artists from different backgrounds into a single stream of (often contrary) opinions. Together, they address questions like: How do life circumstances find their way into music and sound art? How does music reflect historical and social structures? What does discrimination do, and how can we navigate around it? How to unlock networks? Is the under-representaiton of women and LGBTQ people in the field a symptom or a cause? Is art itself gendered? And can it reflect the gender of its maker? Is a different way of listening needed to more accurately understand those voices from outside the historical canon?" -- Contraportada
(to start) -- The participants -- Discrimination, paradigm and otherness -- Gendered music and sound art -- Navigating the field -- Perspectives for change -- Conclusion -- Supplements
| Item type | Current library | Call number | Status | Date due | Barcode |
|---|---|---|---|---|---|
| Monografia | Catàleg Biblioteca del Museu de la Música | 87 Sec (Browse shelf(Opens below)) | Not For Loan | 4909 |
Inclou referències bibliogràfiques
(to start) -- The participants -- Discrimination, paradigm and otherness -- Gendered music and sound art -- Navigating the field -- Perspectives for change -- Conclusion -- Supplements
"The Second Sound is an imaginary conversation between musicians and sound artists on the role of gender and sex within their field. It gathers testimonies from a variety of artists from different backgrounds into a single stream of (often contrary) opinions. Together, they address questions like: How do life circumstances find their way into music and sound art? How does music reflect historical and social structures? What does discrimination do, and how can we navigate around it? How to unlock networks? Is the under-representaiton of women and LGBTQ people in the field a symptom or a cause? Is art itself gendered? And can it reflect the gender of its maker? Is a different way of listening needed to more accurately understand those voices from outside the historical canon?" -- Contraportada
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